Anthea Moys

Artist, practice researcher, life-long learner, educator and fool.

For over fifteen years I have worked as an associate lecturer, independent artist, facilitator, and, more recently, practice researcher in the area of theatre and performance studies. Having lived under the apartheid regime and making work in the post-apartheid years in South Africa, has meant that at the heart of my praxis is a commitment to the global South and anti-exclusionary decolonial practice, and I have looked often to play as a generative connecting medium, an essential ingredient for arts social practice, from which to draw upon. 

In 2013 I won the inaugural Standard Bank Young Artist award for performance art in South Africa (see here for the work that was made in response to winning this award). In 2015 I was part of the JOBURG MASSIVE collective and one of the performance artists selected as part of the Johannesburg Pavilion for the Venice Biennale. In 2017 I was one of three selected performance artists from Africa to participate in the ‘History Will Be Kind To Me for I Will Perform It’ traveling residency project in Norway, Finland and Sweden. 

 

In 2018, for three months, I was a resident artist and researcher at The Capital of Children as part of the LEGO Foundation in Denmark where researched how to communicate dense information on play to a wide public. In February 2020 I facilitated a session ‘Play to Keep on Playing or Play to Win’ which played with ideas around power at the Wellcome Collection in London. 

All the faces you see on this website have willingly consented to be a part of each project and its representation. 

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